Short Robots are Screaming: Crazy MF Flange Sounds

This video is an outtake from my series of improvised guitar solos.

The loop I recorded is way too loud but I still liked a small section of the solo and I wanted to share it regardless.  So, here is that outtake.

The super metallic sound of the loop is created by the MF Flange.

I also ran the flange under a lot of the solo giving it extra bite.  This one is a bit rough on the ears!

This song is called: Short Robots are Screaming

Gear Used (click links for prices):
Moog MF Flange: http://amzn.to/29NjGU
Boss Blues Driver: http://amzn.to/2e35VSc
Buddy Guy Wah: http://amzn.to/2drwkub
Line 6 FM4 http://amzn.to/2evW8Uf
Boss RC-2 looper: http://amzn.to/27R1qjl

PedalTrain Pedal Board: http://amzn.to/1rveVDG
Voodoo Lab Pedal Power 2 Plus Power Supply: http://amzn.to/1YyVV4u

Fender Stratocaster: http://amzn.to/29zse2t
Guitar Amp: Fender Mustang 3 http://amzn.to/1T1Ex5I I love the ease of the USB interface for recording.

Recorded in LogicX. EQ and Delay added in post.

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Filter Freakout: Line 6 FM4, Moog MF Flange, Buddy Guy Wah, Blues Driver

Hi, I’m Jeff Starr, a filmmaker who also loves guitars and gear, especially the Line 6 FM4. This video is part of my series of improvised guitar solos.

This recording is very much influenced by Frank Zappa and the sounds he used on Ship Ahoy. I’m also happy with some of the deep bends I made and how I really worked one fret to see how much I could get from a single position. I felt like this was a carry over from my sitar lessons.

Note that I put the Moog flanger at the start of the signal chain. Previously I had been using this at the end or in the effects loop. I really liked how this early placement influenced the tone and how the blues driver accepted it and pushed it.

The star of this video is the Line 6 FM4 and it’s wacky sounds.

This song is called: Filter Freakout

Gear Used (click links to check prices):
Moog MF Flange: http://amzn.to/29NjGU
Boss Blues Driver: http://amzn.to/2e35VSc
Buddy Guy Wah: http://amzn.to/2drwkub
Line 6 FM4 http://amzn.to/2evW8Uf
Boss RC-2 looper: http://amzn.to/27R1qjl

PedalTrain Pedal Board: http://amzn.to/1rveVDG
Voodoo Lab Pedal Power 2 Plus Power Supply: http://amzn.to/1YyVV4u

Fender Stratocaster: http://amzn.to/29zse2t
Guitar Amp: Fender Mustang 3 http://amzn.to/1T1Ex5I I love the ease of the USB interface for recording.

Recorded in LogicX.

Wah Pedal Placement: before or after gain? – High Quality Demo!

Do you have questions about wah pedal placement?

Should you put your wah wah pedal before or after your overdrive/distortion/fuzz pedal? In this demo you can hear the vocal throaty sound you get by having the Wah after your overdrive (acts as an EQ boost) and compare it to the honking “wicka-wicka” sound you get when you have the wah before the drive pedal (acts as a tone control).

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Gear Used (click links to check prices):
Buddy Guy Wah: http://amzn.to/2drwkub
If you want to know more about the CryBaby Mini Wah that I mentioned you can find it here: http://amzn.to/2eeJlti
Boss Blues Driver: http://amzn.to/2dgtBEW

PedalTrain Pedal Board: http://amzn.to/1rveVDG
Voodoo Lab Pedal Power 2 Plus Power Supply: http://amzn.to/1YyVV4u

Fender Strat: http://amzn.to/29zse2t
Guitar Amp: Fender Mustang 3 http://amzn.to/1T1Ex5I I love the ease of the USB interface for recording.

Recorded in LogicX. No EQ or effects have been added in post.

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Related videos
Buddy Guy Wah Review: https://youtu.be/f__uztJHflM
How many tones can a Blues Driver Make: https://youtu.be/JGbzV55RmWY