I gave myself a challenge: 1 hour to write a song and shoot a video that demos 4 unique tones created by a standard Boss BD2 Blues Driver. Thoughts? Leave a comment.
I was organizing my gear and came across my 90’s Russian built Big Muff Pi. I stopped using this pedal about 4 years ago and I thought it was time to revisit it. I paired it up with my new Moog MF flange and the EHX Ring Thing to see what it would inspire. I like what happened!
Each track was recorded in one take, for better or worse.
Signal Chain: Guitar, Ring Thing, Big Muff, MF Flange, Amp.
• For the “Bass” I used the octave down setting on the Ring Thing going into a driven Big Muff.
• The Rhythm guitar I used the MF Flange with a slow sweep, a lot of depth and the vocal switch on.
• For the solo I turned everything on and set the Ring Thing to be an octave up.
The Line 6 FM4 is an analog style synth and modulation/filter pedal. It can make tons of crazy weird noises, but does it actually make any usable noises? Let’s find out!
You can check prices on the FM4 here: http://amzn.to/1QQmNbA
This backing track is Inspired by the song “Oh, Pretty Woman” made famous by Albert King on his album, “Born Under a Bad Sign.” If you don’t already own his album do yourself a favor and buy it right away.
The original song doesn’t follow a standard blues structure and the verses run different lengths. I wanted to make this backing track as easy to solo over as possible so I restructured it into the standard 12 bar format.
This is a funky blues backing track inspired by “Hush Hush!” by Albert Collins. Albert is the best! I highly recommend checking out his amazing album “Ice Pickin.”
I wanted to make a really light, bouncy and almost silly blues backing track to show that blues isn’t only about feeling blue, but sometimes is about taking your blues away. This one cheers me up every time. Also, in the middle I pull way back in volume so you can do the same, we get to build and then come out hard at the end. I love the dynamic playing from artists like Buddy Guy who will bring the band back to a whisper and then bring everything to a roaring head. I think dynamics in playing is something a lot of people forget about, so this is a good chance to experiment with that.